Sharon Marie Carnicke

04 Oct Program sets stage for acting teachers, giving them new ways to share their craft

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Acting instructors become students again and reconnect with their art as USC hosts national Teacher Development Program [button size='' style='' text='GO TO ARTICLE' icon='' icon_color='' link='http://news.usc.edu/123620/program-sets-stage-for-acting-teachers-giving-them-new-ways-to-share-their-craft/' target='_self' color='' hover_color='' border_color='' hover_border_color='' background_color='' hover_background_color='' font_style='' font_weight='' text_align='' margin='']...

22 Mar ANTON CHEKHOV’S UNIQUE DRAMATIC VOICE

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In March 2017 Sharon Marie Carnicke sat down with Dean David Bridel of the USC School of Theatre to discuss Chekhov’s plays, his sense of humor, and his most persistent themes. The podcast of her interview with Dean Bridel was recorded to mark the School’s...

10 Feb Active Analysis in Motion Capture

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With the release of Lord of the Rings: Two Towers (Peter Jackson, 2002), motion capture photography became a viable venue for acting when a human actor in his prime, Andy Serkis, was cast to play the character of Gollum—a five hundred year-old creature with a small,...

25 Jan ELIZABETH TAYLOR: “MY KIND OF ACTING”

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For the nearly six decades of Elizabeth Taylor’s career, critics and scholars preferred to write about her, rather than her acting. Much ink was spilled on her physical beauty, her striking violet eyes, her fluctuations in weight, her eight marriages, her extravagant jewelry, her conversion...

12 Dec Faculty First-Person: My Norwegian Vanya, Dr. Sharon M. Carnicke shares her experience directing at the Norwegian National Academy of Arts

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The Norwegian National Academy of Arts invited me to direct a production of any Anton Chekhov play I wanted, using Active Analysis — a rehearsal technique developed by Stanislavsky, but little known outside Russia. How could I resist! First, I love Chekhov. “The pens scratch, the...

Author: scarnicke

04 Oct Program sets stage for acting teachers, giving them new ways to share their craft

22 Mar ANTON CHEKHOV’S UNIQUE DRAMATIC VOICE

10 Feb Active Analysis in Motion Capture

25 Jan ELIZABETH TAYLOR: “MY KIND OF ACTING”

12 Dec Faculty First-Person: My Norwegian Vanya, Dr. Sharon M. Carnicke shares her experience directing at the Norwegian National Academy of Arts